Quark on DVD!

Awesome! I loved this show when I was a kid! Geez louise - it was on 30 years ago! Here are a few tidbits from the press release:

"All 8 Episodes Available on DVD October 14, 2008 - The crazy plot deals with the adventures of Adam Quark (Benjamin), captain of a United Galactic Sanitation Patrol ship. His cohorts include Gene/Jean, a "transmute" with male and female characteristics; a Vegeton (a highly-evolved plant-man) named Ficus; plus Andy the Android and Betty and Betty (who always argue over who's the clone of the other). Based at Space Station Perma One are Otto Palindrome and The Head. Though Quark is supposed to stick to his sanitization patrols, he and his crew often find adventure with such colorful space denizens as the evil High Gorgon (head of the villainous Gorgons), Zoltar the Magnificent, and Zargon the Malevolent."

Unfortunately, there are no special features related to Quark itself. I'm sure the powers that be would tell me, "Just shut up and be happy we even bothered to put this forgotten one-season show out on DVD," but dang it all - creator Buck Henry, stars Richard Benjamin, Tim Thomerson and Conrad Janis are all still alive and working in Hollywood. Bobby Porter is a stuntman and Patricia and Cyb Barnstable are still around, too - albeit in Kentucky. I would LOVE to have seen a featurette of interviews or commentary or something. Heck, Andy Magels has done a great job of puling together special features for the filmation releases like Jason of Star Command, and it's got the same target audience: me!

Well in any case, it's still great that it's coming out and I'll be buying my copy to replace the long lost blurry 7th-generation bootleg tape I bought at a comic convention years ago.

By the way, there is a great fansite for the show at http://quark.name

Here I am with Tim Thomerson at the 2007 Fangoria Convention in Burbank.

Heather Storm at No Bad Days Premiere

Heather Storm played a small role in my flick UNDERBELLY back when she was a student at Oregon State University. She's since gone on to Hollywood and her latest movie, NO BAD DAYS had it's premiere back in July. Here's a entertainment magazine style video of the event - https://youtu.be/bEcsFl0AMiw?t=5m14s
You can pick up UNDERBELLY on DVD from me at THE STORE or WATCH IT RIGHT NOW VIA VIDEO ON DEMAND.

UPDATE: Heather Storm is also the new co-host of GARAGE SQUAD on the VELOCITY channel!

Underbelly from Joe Sherlock on Vimeo.

Trying To Crank Things Up Again...

Locked in an actress about playing a small part in the IT HAUNTS segment of TWISTED FATES. She's in California, so lining up a camera guy to shoot the scenes for me...

Borrowed a camera over the weekend so was able to have the Blood Red Pants short show on a TV screen - videotaped it and imported that footage into the iMac. Dropped it into IT HAUNTS along with some shots of the beach from a vacation a few years back - that goes in where Michelle's character is looking out over the ocean.

Hoping to hook up with Mike Hegg soon for dinner and a hand-off of proof DVD-Rs of DEADLY PREMONITIONS....

Asked someone about coming to town to play a part in the remaining footage needed for the EATER movie. Waiting to hear back...

Gotta keep on plugging away...

Posters for Sale

Movie posters for sale: www.drsquid.net/postersforsale.html

Baby Lemur

Good times at the County Fair.

Itsy Bitsy Spider

Crap.

Stuff going on. Need to be away from the ol' blog for a while. Sorry...

Dreamwalkers - 10 Years Ago

It was 10 years ago this month that a bunch of friends started getting together about one weekend a month to shoot John Bowker's DREAMWALKERS. Over many months, I shot this fantasy tale of a man trapped in a world of dreams and nightmares. We used three different cameras. We shot at homes, offices, the library, a cafeteria, fields and woods. We shot scenes of under-the-bed monsters, zombies and UFOs. I shot lying on the floor and up on a ladder. We dealt with changing weather, construction noises, changing haircuts and tweens hopped up on caffine. I also played the role of MIG (Man in Green) as seen above. Then, after it was all shot, John and I worked for months editing it together on an ancient 3/4" U-Matic linear editing system.

In the end, I paid to have a handful of tapes duplicated and they went to cast, family and friends. It was never released to the public. I have to laugh every time I get a letter at my PO box addressed to the old Shannon Fan Club that I ran for years. The person always says the same thing - that they are big fans of Shannon's and "loved her work in (insert one of my old movie titles here) and Dreamwalkers," and could they please have a free autographed photo? Amazing how people all over the country and many in jail have somehow seen this old shot-on-video movie that was never released.



All these years and all these movie projects later, John and I and some of the gang are still making movies together. Thank you, John, for asking me to be a part of your crazy fantasy movie a decade ago.

Good times.

Hannibal 8

I'd like my next car to be a plug-in hybrid, but in the meantime, it would be cool to drive Professor Fate's Hannibal 8 car from The Great Race to work!

Well crap.

My camera is broken.

Not sure if I want to spend the travel time and money to try and get it repaired or get a new one.

Problem is the new one I really want is a couple grand, which I don't really have to spare for a camera right now.

Did I mention I promised to videotape a friend's wedding in about 12 days?

Crap.

Puss in Boots

Here is a colored pencil illustration I did several years ago for a play of the same name. Cooler still, two of the Applebee's restaurants in the area have these and other posters I've done up on the walls!

Escape from Ape World

Many years back when Tim Burton's Planet of the Apes remake was out I read about the Polonia Brothers making something called Gorilla Warfare: Battle of the Apes. It was obviously a shot-on-video quickie designed to capitalize on the big budget remake. I thought to myself, "Well, heck, I could bang out a shot-on-video quickie to capitalize on the big budget remake" myself! With that in mind, I threw together this box cover mock-up:



I went as far as to come up with kind of a rough outline - a ship goes through some weird space wormhole thing and they crash on a forested planet (as I knew I could shoot out in the woods of local parks). After wandering, they get captured by some ape cops. My plan was to just buy a bunch of ape masks and shoot around town, basically having it really be like earth, just with apes instead of people. So they'd be driving cars and walking the streets and all. In the county jail, the crew would befriend an alien who'd also gotten sucked through the wormhole and they'd break out, make it back to the alien's spaceship and escape from the ape world.

After a while, it just became another half-started idea and I'd moved on to other stuff. But cool cover, eh?

In the ensuing years, I haven't been able to see the Polonia Brothers movie as it's only been released outside the U.S. But maybe some day.

I Love Clocks

Mike Hegg expresses his true love in beautiful Roseburg, Oregon during the shoot for HOUSEBOUND.

Morning Dumplings!

Hey check out this wacky song and video I made with my son and his friends!

Dinosaur Planet at Sunset

Here's a few pictures that Tom Shaffer let me borrow to scan and share with y'all of the shoot for his PREHISTORICUS movie.

Happy Birthday George Stover!

George Stover will always, to me, be the somewhat awkward but well-meaning Steven Price, a role he played in both THE ALIEN FACTOR and NIGHTBEAST. In fact, Steven was in every single one of Don Dohler's movies. Lucky guy. Above, he fights with the Zagatyle in THE ALIEN FACTOR. Happy birthday, George!



It's also Amanda Bounds' birthday today (seen above in the It Haunts segment of TWISTED FATES) and while she was never smashed to death under a fat lady's buttocks like George was in John Water's Desperate Living but to that I say: there's always the next movie....

Meanwhile I spent last night squeezed into an orange jumpsuit once more reprising my role as Frank the Astronaut in Tom Shaffer's Prehistorics. Tom recently got some new stop-motion animated dinosaur footage and wanted to get a few more shots to go with it. So there we were, on the top of a giant hill overlooking the valley at sunset and I had to pretend to see a T-Rex and hit the dirt. Magic...simply magic. Tom promises pictures soon...

Mike Hegg promises a DVD proof of his filmlooking work on DEADLY PREMONITIONS sometime next week. Can't wait to check it out!

Got a DVD of COLD AS SOUL this week from Laura Giglio. The Luc Bernier-written horror project features several scenes I shot locally with actress Toni Draggon.

PANTS!

Finished up the edit, including titles, music and sound effects, for BLOOD RED PANTS, the oddball video that the character Kelsey watches in the IT HAUNTS segmment of TWISTED FATES.

Fun stuff.

Bit by bit...

41

It is perhaps fitting in light of my two recent long-winded cranky old man rant postings that I turn 41 today.

You kids get off of my lawn!

C'mon everyone - let's put on a BETTER show!

"Every generation has said the same f**king thing."
- John Carpenter in a recent Fangoria interview

You know, I recently read an article about a presentation by Mark Gill on the "Indie Film Crisis."

http://weblogs.variety.com/thompsononhollywood/2008/06/laff-mark-gill.html

In a nutshell his message boiled down to a few things:

1) The industry/outlook for indie films in horrible and will only get worse

2) There are too many movies being released, so...

3) What we need to do is make fewer indie films, but better ones

Hmmm....seems like I've heard all this before...at least three times.

When I co-owned a comic book store in the 90s, I heard the very same thing about "indie" comics. Marvel and DC were the "major studios" and along with a few second-tier big players were flooding the market with titles, targeted as putting out crap, squeezing out the indie guys, etc. Distribution was consolodating/tightening. Costs were rising. Profit margins were shrinking. All the same points as Mark's film talk. And it all boiled down to the same solution: we have to make less product, make less crap, and make "better" stuff.

I read similar rants about zines when I was dabbling in that self-publishing world. It was along the lines of "how do we get more respect and exposure and stop being seen as a bastard child of the comics or publishing markets?" The solution? To fight against the worsening distribution/general outlook for zines by not making so much crap and making sure we make better zines.

Then there were several bulletin board discussions about "microcinema"/shot-on-video movies several years ago. Same thing. The "big guys" (major movie productions as well as major chain video rental stores) continued to squeeze out the little guy and microcinema was seen by the masses as inferior to shot-on-film "real" movies. Jason Santo in fact wanted to create a "microcinema manifesto" that was basically the same solution as all of the above - decrease the volume of output and make "better" movies. Jason is a really nice guy by the way, but I disagreed with him on the whole "manifesto" thing.

Why?

Well, my main thing was, WHO is going to define "better?" Jason, who had his heart in the right place, was trying to collaboratively create a set of standards, that several of us microcinemamakers would all sign on to. Aside from how does microcinema survive in this cutthroat and getting-worse-everyday "industry," Jason was also stuck on the "how do we get more respect" angle.

We started with things like not using natural indoor lighting, never using a built-in camera microphone, etc., but a soon as it moved to non-technical issues, things got kind of gray.

Having made shameless b-movie schlock stuff, it seemed as if my stuff might not be seen as "good enough" within parameters of such a manifesto. If it spoke specifically about character development, and I just wanted to make an action packed, gore-soaked zombie flick, would that not be qualified as "better" product? The problem was that I knew there was an audience for a no-budget, minimal plot gorefest. However, making such a movie would only enforce the stereotype by the general public of microcinema as no-plot, no-budget, amateur backyard crap. So should I not make it?

I could go on about all sides of this issue, from the fact that it's a business business as well as an artistic business, to the fact that everyone has different tastes, as well as different motivations for making art or trying to sell it.

But the bottom line is that is seems like the same solution keeps coming up - "we've got to make less stuff and make better stuff!" But it never works - because the creators (filmmakers, comic book guys, zinesters, etc.) all have their own reasons for making their art. If they are in it for money, they'll keep doing what they think will make them money regardless if a person or committee or club think it's "good." If they are driven by a passion inside, they will make what their heart tells them, regardless of what the world thinks of it.

A market is a market and power is power; the public is fickle; different strokes for different folks; change is the only constant; blah blah blah.

Every generation has said the same f**king thing.

It Haunts Teaser Trailer

Here is a teaser for IT HAUNTS, one of the segments of the TWISTED FATES horror anthology.

The SciFi Channel Slides Further into Uselessness

The slide.

In my mind, it started with Remote Control. MTV stands for Music Television and that's what it was when my family first got cable back in the 80s. And being in high school, I was totally in MTV's demographic and I ate it up.

Then they put on the game show Remote Control and I recall it being a big deal because the channel was dedicated to music videos (concerts and music news as well, but all music-related) and here was something completely non-music-related. Why did they do it? I can't read the minds of the programmers, but I suspect they were trying to make money. After all, in the business world (and as Gene Simmons is always reminding folks, it's show "business"), making money is job #1. So they came up with something that would appeal to their demographic and that they could offer to advertisers as something "new."

Well, I was never a huge fan, but I did watch it so obviously the tactic of appealling to the demographic worked and I didn't rebel against it being on MTV and not being about music.

So that is the beginning of the slide. Then there was The Real World in the early 90s and since I was just out of college I was again in the perfect demographic. And again it worked and I paid attention through 2 more seasons.

So along all of these years, MTV morphed into this youth-culture channel with all sorts of game show and reality stuff on it and barely has anything to do with music anymore. But it's still called MTV. Why? Partially because it had become a "brand," but also because it had a slot on cable and satellite systems. I understand it's hard to get a new channel into the line-up so even thought the content changed (albeit slowly over time) the name remained.

Same thing with VH1, which for you youngins stands for Video Hits 1, as in music video. Now it is mostly "celebreality" stuff. But VH1 still works because no one needs to know what it stands for.

A&E used to be like the cable version of PBS - history documentaries and british theater and such. Now its Gene Simmons and Dog the Bounty Hunter. A&E stands for Arts & Entertainment, but now it's just "A&E: Real Life. Drama," because it is hard to call The Two Coreys part of the "Arts" with a straight face.

I remember when TLC was kind of like PBS, too: educational programming, documentaries, etc. That's because TLC stands for The Learning Channel. They were trying to teach us something. Now it's TLC: Life Suprises," and all about Jon & Kate Plus 8 and Little People Big World.

CMT stands for Country Music Television, but it has it's share of slide what with running marathons of Hogan Knows Best, Trading Spouses and Nanny 911, none of which have anything to do with country music.

At least Court TV had the decency to change it's name to TruTV, reflecting it's change from courtroom play-by-play and crime/legal shows to all reality programming.

Similarly, TNN, which was The Nashville Network, changed it's name and programming to SpikeTV, pretty much doing a 100% revamp, but managing to keep it's slot on cable and satellite line-ups.

BET had a pretty wide range to start with - music video to reality programming, it doesn't matter: as along as it features black people, the channel's name still fits. Likewise channels like The Travel Channel, The Food Network and Comedy Central can be relied upon to show programs that make sense given the channel's name.

AMC has been an interesting case to watch. Seems to me that early on it was focused on critically-acclaimed movies, in particular older ones, hence the name American Movie Classics. I wasn't an avid watcher of AMC, but I remember when I saw a commercial for Iron Eagle. Iron Eagle? A "Classic?" Really? I mean, it's a good example of an 80s action flick, but it seemed odd to hold it up with To Kill a Mockingbird and Grapes of Wrath and other stuff that it seemed they were showing. But see, what they were doing was the slide - they were programming to the demographic, or perhaps programming to A demographic - one that spent more money and would allow them to charge more for advertising. See, it all comes back to that old money thing. So now, "AMC" seems to be used in all promos instead of "Amercian Movie Classics," and "classics" can now include Funny Farm starring Chevy Chase and Teen Wolf. Not only that, but AMC has slid into Remote Control mode. At least some of their TV shows like Sunday Morning Shotout, have been about movies, but now the channel prevoiously all about movies is airing original tv series about advertising execs (Mad Men), meth cooks (Breaking Bad) and proudly has plans to add more tv series next year. None of which have anything to do with movies. How long before AMC doesn't even show movies. Hmmmm.....

Which brings us to the real point of this rant, the SciFi Channel, or SciFi as it's currently being marketed as.

Wrestling.

On the SciFi Channel.

Absolutely nothing to do with science fiction - a pure and obvious programming change to make more money. Someone ran some numbers and found that there was some crossover in demographics of those who watched some SciFi Channel stuff also watched wrestling. So they put it on and were able to tout it to all the advertisers as some awesome demographics/synergy wizardry and change more money.

I could go on about the channel's choices for programming but that's another rant altogether. To that end, take a look at what inspired this rant of mine: http://www.rimworlds.com/csfcabout.htm - scroll down to read "the screed." And tell them Dr. Squid sent you.

Might the SciFi Channel soon abbreviate it's name to SFC, so that all science fiction reference is removed? Then they can use the tagline "SFC: So. Freakin. Cool."Probably something like that.

Postscript: I watch all kinds of TV shows - this piece is mainly talking about the move away from various channels' originally stated genres as expressed by their channel names. I watch Gene Simmons Family Jewels as well as Dog The Bounty Hunter, Jon & Kate Plus 8 and Little People Big World. In fact I've been to the Roloff's farm, met Amy, bought some pumpkins and checked out their various attractions like this pirate ship:



And further: Yes, I know that the SciFi Channel has been showing wrestling for a while now. I'm just getting around to bitching about it now. I've been busy.

Fear Of The Dark

Michelle "Ame" Mahoney screams her lungs out in the It Haunts segment of TWISTED FATES.

That's Not a Good Sign...

Morgan Mayhem covered in blood in the It Haunts segment of TWISTED FATES. Sticky!

Tasty!

Michelle "Ame" Mahoney and Morgan Mayhem get up close and personal in the It Haunts segment of TWISTED FATES.

Don't Look Under the House!!!!

Here is Michelle "Ame" Mahoney as Kelsey in the It Haunts segment of TWISTED FATES.

Alma and Natalie

Here is Doom Grrl as Alma Heggs in the It Haunts segment of TWISTED FATES. Nice red sweater and nice graveyard!



Here is Amanda Bounds as Natalie in the It Haunts segment of TWISTED FATES. Nice shades!

Blood Red Pants!

The Pants Made Her Crave The Taste of BLOOD!!!!!

Here are a couple of pics of "Blood Red Pants," the cheesy b-movie that Kelsey watches on TV in the It Haunts segment of TWISTED FATES.

Twisted Fates Rolls On

More progress on TWISTED FATES - Decided to switch out the VideoDrone story (which I had set-up no less than 4 times and each time it fell through) for another story, It Haunts.

Here is the synopsis: Young Kelsey, having just broken up with her boyfriend, takes a housesitting job in the remote countryside. The homeowners seem nice enough, but soon after they leave, strange and disturbing things start happening. As Kelsey makes startling discoveries about the homeowners, nightmarish visions appear. Cell service is spotty and a kindly neighbor warns of the road washing out. Shock builds on shock. Darkness falls as shadows of dread grow. Will Kelsey survive the night or loose her soul in this haunted house?

Starring Michelle "Ame" Mahoney as Kelsey, John Bowker as Ollie, Doom Grrl as Alma, Joe Scott as Luther, Morgan Mayhem as Loretta and Amanda Bounds as Natalie. Filmed at the eclectic Atomic Bonfire Art Studio in the real ghost town of Peoria, Oregon.
Michelle and Amanda played major roles in John Bowker's PLATOON OF THE DEAD, planned for a 2009 release from Tempe Video. Morgan, Doom Grrl and Joe Scott also appeared in that movie. In addition, Michelle, Doom Grrl and Morgan appear in my almost-done thriller DEADLY PREMONITIONS. In one sequence, Michelle will be watching a cheesy b-movie on TV called "Blood Red Pants," which will feature Amira, Barb White and Tom Stedham, all from DEADLY PREMONITIONS. Tom has also appeared in Steve Sessions' TORMENT.

Shot the bulk of It Haunts in mid-May and finished up last weekend. Here's a few photos (more to come over the next several days):





Went up to Mike's twice for more work on DEADLY PREMONITIONS - he's going to run a filmlook test next.

John Bowker was in town the other day. We uploaded some of the PLATOON OF THE DEAD behind-the-scenes stuff I shot into his editing system and also did some sound work for the opening and finale with iMovie and GarageBand on my iMac.

Bob Olin reports he had someone drop out of the Welcome Sister segment for TWISTED FATES, so we are bumping shooting back to August.

More soon...

House on Bloodbath Hill

A couple of movies I worked on for John Bowker are coming out in a double feature "grindhouse" package called HOUSE ON BLOODBATH HILL.

On THE SEEKERS, I was Director of Photography and also handled lighting and sound. In HOUSEBOUND, I played Gordon, one of the "men in black." I was also Director of Photography, handled lighting, assisted with sound effects, was in charge of practical special effects and assisted with costuming.

Busy Busy Busy

Have been juggling a lot of work, family and movie stuff over the past few weeks and will be very busy over the next month or so. Posting may be light for a bit...

Beetle Maniac!

Here it is - the final bugman mask. I hot-glued the wig on the back, filled in some spots with black paint and painted some grey veins on the eyeballs!

Bug Man Mask

This was my initial concept sketch. I had already thought of using the plastic easter eggs for eyes as well as having the two mandibles and using hair to accent it.


I took a foam wig head and wrapped it tightly in a brown paper bag. I attached a few wads of paper bag with duct tape as well as two rolled-up pieces of cardboard for the mandibles. As I was tracing the easter eggs onto a piece of cardboard I got the idea to have THREE eyes to make it even weirder. After I traced the open end of the plastic egg halves, I cut the holes out and then cut a border around the holes, wrapped duct tape around it and attached it to the front.


Here is the first layer of paper mache.


I painted it but then felt like there wasn't enough 'face' to the mask, so decided to tape on these two halves of plastic jelly beans. It kind of looked like more mandible/mouth stuff. Note the three white (they are actually a light speckled blue) plastic eggs for eyes - they look a little plain so I think I'll add some veins or something to them - but no pupils.


More paper mache


I stapled a strip of elastic to the back, then paper mache'd over where I'd stapled the ends. Eventually, I will cut the band in half and put some velcro on it so it can work as an adjustable strap.


More black paint plus some white & gray on the mandible things in the front. I took an old black rubber snake toy I've had since I was a kid and sacrificed it, cutting it in half and using epoxy to glue each half into the ends off the cardboard tubes. I also cut some groupings of hair off of the wig I had and just used more black paint to "glue" it on to the edges of the face.


Here you can see it a little better. The rubber snake halves wiggle greatly whenever there is movement. I tucked it into the mask for this shot, but I also attached a black t-shirt around the back of the mask with staples and duct tape. I'd cut straight across the shirt at the armpits to remove the sleeves and neck so I basically was left with a tube of fabric that will cover the rest of the actor's face and neck.

Next is using some more black paint to cover where the rubber snake halves go in, doing some more detailing on the mandibles and eyes, and figuring a way to attach the rest of the shaggy black wig to the back of the mask.

Dr. Squid Egg!

Behold the Dr. Squid Easter Egg!

Mailed off footage I shot recently for WAVE Video's Sleepwalker Strangler, Luc Bernier's Cold As Soul and Falcon Video's Into The Woods projects. Also mailed off a copy of Housebound to the Mid Valley Video Fest folks for possible inclusion in their Friday Monster Madness Series (director John Bowker said his copies were buried under boxes somewhere and I had some copies within easy reach). Now back to my own stuff!

Death Nurse for Truly Dreadful Tales is done - just need to export to tape.

Worked on the bugman monster mask some more, adding mandible thingees and doing some more painting.

Worked a bit on a few scripts.

Many balls in the air...

War of the Monsters birthday cake

This year my son wanted a birthday cake based on the War of the Monsters video game. In the game you play one of a dozen or so giant monsters who beat the snot out of each other while smashing the city around them. The game is a lot of fun. So here is the cake:



I started with a plain white cake, then added a couple of icing roads, pushed a couple of toy cars into it and then created some fires and a whole bunch of girders and debris with icing. The idea was to create a bunch of demolition for the monsters to tower over.

My son picked out the two monsters from the game that he wanted to have fighting. I penciled them out on paper and inked with a magic marker. Then I scanned the drawings so I could resize them and printed each out on card stock. I colored them with colored pencil. I put the rock monster guy on the wall and rubbed a black pencil over it to get some texture. Then I cut the monsters out, taped several wooden skewers to the back of each one and stuck 'em into the cake!

Toni Draggon: Trooper

Have been busy with family stuff for a bit and then down with the flu for several days.

Shot scenes with Toni Draggon last Sunday for three different projects: one of mine and two by other filmmakers. Shot at the wonderful Atomic Bonfire Art Studio and everyone had a swell time. Toni not only endured multiple costume changes and having to convey a wide range of emotions in short order, but having her hands tied with rope and even a bathtub death scene! She's a trooper!


Death Nurse segment of TRULY DREADFUL TALES is pretty much done. Just need to check some sound issues and master to tape. Put together this title card for it.

Bit by bit...

Almost done with editing on Death Nurse segment of TRULY DREADFUL TALES. Composed a scary little piece of music for it. That was fun.

Shot some DVD extras footage last night with Darla Doom and Amanda Bounds for PLATOON OF THE DEAD. They were hilarious.

Shooting scenes on Sunday for a couple of projects being made by other directors. Going to be working with Toni Draggon again - should be fun.

Tom Stedham (whom I was lucky enough to work with on DEADLY PREMONITIONS and PLATOON OF THE DEAD) will be appearing at OmegaCon next weekend, March 14-16 in Birmingham, Alabama. Tom rocks!

John Polonia - Rest in Peace

The news of John Polonia's passing hit me hard. John was a few years younger than I am, and like me had a wife and young son. Seeing the subject of that first e-mail was just shocking - my heart sank and I just felt so sad for John's family. I went right upstairs and hugged my son.

I'd e-mailed with his brother Mark a few times, but unfortunately I can't say I knew John personally - I knew the kind of person he was from watching his work and from what others had told me about him.

My friend Co once wrote of me that he admired me because I "made movies because no one told me I couldn't." I take that as a compliment - that sometimes you just have to plow ahead and make what you want, as best you can, with what you have. I feel like Mark and John Polonia were like that.

I am reminded of how I felt when Don Dohler passed away. Don made movies as best he could, with what he had. Don was always kind and helpful to fans, and his passing was a great loss for our moviemaking community.

The Polonia's inspired so many of us - from having made one of the early shot-on-video movies picked up by rental chains to being so prolific, making gobs of movies that always had a particular homemade charm.

I pray for Mark and for John's family.

Dreadful

TreeSpirit is done! Currently editing the Death Nurse short starring Laura G of W.A.V.E. fame. About halfway done building a three-eyed mutant bug-man mask for the next segment for TRULY DREADFUL TALES (formerly Nigel Cheeseball's Monster Files).

Finished editing an interview segment and behind-the-scenes segment for PLATOON OF THE DEAD, as well as a couple of title screens.

Good Times

Had a swell visit with my BLOODSUCKING REDNECK VAMPIRES partner Mike Hegg over the weekend. He captured all of the segments of DEADLY PREMONITIONS into his system and we did a little bit of fixing up here and there. I'll need to schedule another visit and hopefully we can fix some sound stuff and author a DVD!

Did a little work for John Bowker's PLATOON OF THE DEAD tonight. Waiting to hear if he likes it.

Met with Robert J. Olin and Rob Merickel to go over plans for shooting the Welcome Sister segment for TWISTED FATES. Robert has some ambitious iddeas and wants to make this really intense. We agreed to plan for an early June shoot so the weather is nice for scenes in the water. I'll be trying to shoot the VideoDrone segment before that.

Onward....

Monster Movies!

Check it out! Here's the entertainment section of the Salem Statesman-Journal and BLOODSUCKING REDNECK VAMPIRES (and specifically William Bradford as Cletus) made the cover! The story can be found online right here:

http://www.statesmanjournal.com/apps/pbcs.dll/article?AID=2008802070305

TreeSpirit Title

Made the title screen for the TreeSpirit short tonight and have started working on music and sound. Comes in around 17 minutes or so.

Who is the Guy in the Red Shirt?

I found a picture of me, Lloyd Kaufman and a couple of Salem directors in an article about the upcoming Mid-Valley Video Festival on the Salem-News.com

The Salem Statesman-Journal interviewed me last week for an article scheduled for this Friday about the Monster Madness Fridays film series. Hope it turns out well!

I have the initial edit of the TreeSpirit short done. Tons of sound work and color correction to do.

Heading up to meet with Mike Hegg this weekend and work on final post and dvd work for Deadly Premonitions. Speaking of which I put up a new bunch of photos on that page, pulled from the dvd photo gallery file.